"Just as a dance evolves throughout the
ages, so does the style and presence of a dancer."
As a young woman
Monique first learned a form of hula dancing, and even at that stage,
without formal instruction, she began to improvise with bellydance
moves. It wasn't until later, while nursing a young Egyptian man
who lost his legs in tragic circumstances, that she heard the exotic
strains of Egyptian music, as a young registered nurse in London.
Endeavouring to cheer him up she instinctively moved playfully to
the music. It wasn't long before she was mastering the few moves
he explained to her, leaving her hungry to learn more. And with
that chance meeting began a passionate love affair that still continues
to this day - that of a woman and a dance. The years have taken
her around the world and to many stages, shows and performances.
She has made numerous appearances on television, performed in shows
around the country and the world. She has even danced on a floating
palace that toured the Nile (see article). She was also awarded
great respect as the regular dancer to represent the Egyptian embassy
during their parliamentary functions while they were based in Wellington.
In her classes Monique not only teaches the technical steps of the
dance, but she also tries to convey to her students the feeling
behind the dances. She shares her passion for the Egyptian culture
with impromptu talks and brings visitors in to talk about life and
dance in Egypt.
The history of bellydance has travelled through the
ages in well-told myths, from generation, to generation, for thousands
of years. It is said that women created this sensuous and creative
dance to stave off boredom in the harems, and also to aid the body
during the feminine mysteries of childbirth. The true bellydance
is said to mimic three stages in a woman's life, love and body.
Teasing flirtation and introverted mystique begin the dance moving
into the undulating passion of lovemaking and conception and finally
birth and the attainment of freedom through the fulfilment of womanhood.
It may have also have sprung from the fertility rites of the ancient
Egyptians. Whatever the truth of its origins, bellydance is the
celebration of the female body and her innate feminine power. And
its purpose is to celebrate and entertain. It is a gift that Monique
continues to share with the many students that attend her classes
in Birkenhead and the many clients that she dances for.
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